Friday, September 23, 2011

Alan Munson – Good Morning World (1975 us, folk rock, 2008 guerssen release - FLAC)

Alan Munson, the songwriter of Cooley- Munson duo, continued the folk- rock way. It took him some time, but in 1975 he was ready for what is (for him, and for me too), his best 70’s work.

The beautiful vocal harmonies on this solo album are still there, as if he never quit as a duo, just like the impression on the back cover, where you can see him taking a pose before a landscape (right),.. with himself (left). The liner note introduction mention an important pre-dating experience which changed his life as a musician, which started with a feeling of disappointment after having visited a producer in LA, who said he had to work on more self-experienced songs before coming back. And that’s what he did, literally and drastically, leaving us with a witnessing album of such an experience.

In what we know about Buddhism and other researches for enlightenment or spiritual relief, we often hear about the idea that we should quit our daily lives to be able to meditate on our direct way of experiences. If we should do that literally any time it could also mean a fleeing of any responsibilities and commitment, while we could also have practiced this by making only a conscious distance with our personality alone, while taking only a distance from daily life in mind, while still consciously participating with attention to all the confronting deepest inner needs which we could gradually fulfil in this context as well.

Just at the emotional highlight with a relationship and meeting point, being afraid that one day this might change to something bad, that’s where the songwriter left, trying to keep to good feeling and memory, that should be able to kept high also without this. (I must say I have experienced a likewise situation, but now I know that such decision also destroyed that special connection, and that it wasn’t able to live on without it. (Later I realised that eventually, in a commitment, you are destined to go to a next level, where we can experience who we as individuals and as caretakers for others really are, so that for those who really care about the other this feeling can not become worse, while only illusions and situation-depending experiences can be destroyed by time and change).

Alan Munson went for keeper of the energy of the experience itself, which, captured in a moment on an album, of course was able to bring something of that special moment of this, into words and music.
by Gerald Van Waes



Tracks
1. Good Morning World - 2:19
2. The Turtle (Moving on) - 4:28
3. Before It Starts to Rain - 3:18
4. Fences - 3:55
5. There's a New Day - 3:33
6. The Sun Is Rising in Your Eyes - 4:23
7. Freedom - 2:58
8. The First Morning - 4:29
9. Back to the Canyon - 3:19
All songs by Alan Munson.

Alan Munson - Guitar, Vocals, Percussions

[ Rip and Scans by MIGUEL ANGEL ]
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The Sun Also Rises - The Sun Also Rises (1970 uk acid folk rock - 2009 Lions Productions edition with 01 bonus track - FLAC)

The Sun Also Rises' only album is extremely reminiscent of the Incredible String Band's brand of mystical acid folk.

Where the Incredible String Band could mix jovial, introspective, and even menacing moods, however, the Sun Also Rises' range is more limited.

While their blend of guitar, dulcimer, glockenspiel, bells, and more can be pleasing, the mood is about as twee as it ever got for British acid folk.

Much of that's due to how Graham Hemingway and Anne Hemingway's twisting high harmonies have a cutesy flutter at their high end.


But the precious melodies and lyrics do their part as well, giving off the air of a too-genteel Renaissance Faire.

There are some nice wistful melodies and harmonies, though the mood is occasionally shattered (as on "Until I Do") by some way-too-farcical kazoo. At their tweest, they can sound as if they're trapped in a toy music box.

They're better when they get a shred more serious and explore minor melodies, as on ballads like "Part of the Room" and their reworking of the folk standard "O Death" (here simply titled "Death").

This rarity was reissued on CD in the U.S. , with the addition of the bonus track "Fafnir and the Knights," which originally appeared on the 1972 various-artists compilation Us on the Village Thing label (by Richie Unterberger).


Fafnir and the Knights:


Track List:
01.I Really Wanted You
02.Wizard Shep
03.Part of the Room
04.Green Lane
05.Tales of Jasmine and Suicide
06.Flowers
07.Song of Consolation
08.Suddenly It’s Evening
09.Death
10.Fafnir and the Knights

The Sun Also Rises:
*Graham Hemingway: vocals, guitars
*Anne Hemingway: vocals, dulcimer, glockenspiel, vibes, percussion


[ Rip and scans by OldrockerBR ]
Thanks a lot TUGA by this CD
CODE: 60253

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Thursday, September 22, 2011

Los Dug Dug's - Smog (1972 mexico psychedelic and hard rock with progressive touches sung in Spanish - FLAC)

The second album (1972) from psychedelic guru Armando Nava and his band is in Spanish this time, as all other Mexican bands were by now singing in English.

The recording sessions were tumultuous: after the band now stripped down to a power trio had recorded just three songs, Nava stormed out of the sessions and locked himself in his house for fifteen days.

Everyone on the outside worried about his safety, but Armando was fine: he kept himself busy reconfiguring the entire album, including penning the punishing riffs that form the central motif of the mesmerizing twelve-minute medley that explodes over the album s entire first side.

So again, as with the genesis of the Dug Dug s debut album (also available from Lion Productions), the end result of all the tumult surrounding the band was a great album.

There s no doubt that the Dug Dug s toughened up their sound on Smog : to some people they sound like a crazy Mexican version of Jethro Tull, and to others like a Spanish speaking incarnation of MC5.

No matter how you look at it, this is tremendous progressive-influenced hard rock, with a new chunky sound. It is clearly among a small group of elite recordings from the psychedelic age; it is also possibly the best Mexican hard rock album of all.


Hagбmoslo Ahora:


Track List:
01. Smog 3:18
02. Buscalo 1:31
03. Hagбmoslo Ahora 11:42
04. Yo No Se 3:46
05. Cual es tu Nombre? 3:07
06. Meditacion 1:12
07. No Somos Malos 3:08
08. Voy Hacia el Cielo (Voy Hacia el Sol) 6:17


Los Dug Dug's:
*Armando Nava - Guitar, Lead Vocals, Flute, Keyboards
*Jorge Torres - Bass, Percussions, Keyboards
*Daniel Tello - Drums
*Enrique Nava - Vocal Harmonies

[ Thank you BOBO59 for sending this post ]
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The Byrds - The Byrds (1970 us folk rock - 2000 Legacy remaster edition 2 cds - Wave audio format)

"Untitled" is by far my favorite Byrds lp, regardless of what era of the band it was. There are many reasons for this- mainly being that the countrified Byrds of McGuinn/White/Battin/Parsons was the most stable lineup of the band, and with it produced numbers that ROCKED harder than anything they had ever done.
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Disc one opens with live material, with obligitory Dylan numbers, the country/rocked out glory of "Nashville West," showcasing the late Clarence White's amazing guitar work, and the blissful 16 minute workout of "Eight Miles High"- proving that when they were inspired, the Byrds could flex their solo muscles and go with it. The studio material offer many wonderful nuggets, such as the McGuinn classic "Chestnut Mare," the Parsons/Battin's religiously based "Yesterday's Train," Leadbelly's "Take a Whiff on Me," sung by White, and White's wonderful take on Lowell George's beautiful "Truck Stop Girl.".
The beauty of a whole cd worth of unissued material is more than enough reason to get this gem of a re-release. It showcases the wonderful democracy (or as close as McGuinn would allow it to be) of the band at this point, and with it, the immense talents of all 4 members. Highlights include the studio version of McGuinn's "Lover of the Bayou," Parson's cover of Lowell George's "Willin," and White's "White's Lightning Pt.2," part of a studio jam. Also included are more live tracks including "Jesus Is Just Alright," soon to be the Doobie Brothers' breakout hit..
Many people regard this lp as the last great Byrds lp. This is debatable, of course (I feel "Last Time Around" is a brilliant, if tired, effort), but what is clear is the absolute brillaince of this lineup. Their chops are in top form, and it shows throughout the 2 cds. they never sounded tighter and more at ease with themselves.
This re-issue is absolutly indispensible listening and a gem of the highest calibre.(By Sean M. Kelly - Portland, Oregon)
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As a long-time admirer of the Byrds' Untitled, I have to admit I was a bit skeptical when I heard that another CD was being added to the re-release, with studio and concert outtakes. Forgive me for doubting. The added studio tracks are a revelation. "All the Things" seems like a completely different song, with a brilliant arrangement that features complex vocal harmonies and a prominent McGuinn guitar--one of his most heavenly 12-string riffs. "Lover of the Bayou" features a heavily echoed McGuinn vocal and a strong harmonica backing, plus great guitar interplay between McGuinn and Clarence White--ferocious! Then there are two quiet, acoustic songs with Gene Parsons's vocals that are the real sleepers here--"Willin'" and "Yesterday's Train." The latter has an understated vocal so achingly beautiful that all the song's wistful longing comes through. And the acoustic version of "Kathleen's Song" has a similar fragile beauty. All in all, 22 minutes of unreleased studio cuts than are as strong as anything on the original album. As for the live performances, a great "Jesus is Just Alright"--it's about time a live version is now available. And the arrangement of "Ballad of Easy Rider" is far superior to the studio version, with lovely bitter-sweet harmonies at the end. From a double album to a double CD--and every bit worthy of the name. One of the greatest Byrds albums, now even more awe-inspiring.

The Byrds - 8 Miles High

THE BYRDS: 8 MILES HIGH AVEC Clarence White GUITAR par mrjyn

Tracks Listing

Disc: 1
01. Lover Of The Bayou
02. Positively 4th Street
03. Nashville West
04. So You Want To Be A Rock 'N Roll Star
05. Mr. Tambourine Man
06. Mr. Spaceman
07. Eight Miles High
08. Chestnut Mare
09. Truck Stop Girl
10. All The Things
11. Yesterday's Train
12. Hungry Planet
13. Just A Season
14. Take A Whiff On Me
15. You All Look Alike
16. Well Come Back Home

Disc: 2
01. All The Things - (alternate take)
02. Yesterday's Train - (alternate take)
03. Lover Of The Bayou - (alternate take)
04. Kathleen's Song - (alternate take)
05. White's Lightning Pt. 2
06. Willin'
07. You Ain't Goin' Nowhere - (live)
08. Old Blue - (live)It's Alright Ma (I'm Only Bleeding) - (live)
09. It's Alright Ma (I'm Only Bleeding) - (live)
10. Ballad Of Easy Rider - (live)
11. My Back Pages - (live)
12. Take A Whiff On Me - (live)
13. Jesus Is Just Alright - (live)
14. Wheels On Fire - (live)

Credits
Roger McGuinn - Guitar, Vocals
Gene Parsons - Drums, Percussions, Banjo, Vocals
Skip Battin - Bass, Piano, Vocals
Clarence White - Guitar, Vocals

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